The Boston- and U.K.-based Enigma Chamber Opera continues its exploration of chamber works by Benjamin Britten with two performances of the English composer’s biblically inspired 1968 opera “The Prodigal Son.” The work is the third of Britten’s three Parables for Church Performance; Enigma mounted the first, “Curlew River,” to critical acclaim last fall. This new production is directed by Artistic Director Kirsten Z. Cairns, who finds in the universal story of parent/child reconciliation and forgiveness a balm for an often bitterly divided society. Performances are Oct. 21 and 22 at 7 p.m. at Boston’s Cathedral Church of St. Paul. This production will be available for streaming on the Enigma Chamber Opera YouTube page for one week starting Oct. 28 at 7 p.m.
Maldonian Omar Najmi is a tenor and portrays the Tempter/Abbott. Najmi has a robust resume in the Boston area and holds a Master of Music from Boston University.
“The Prodigal Son” libretto is by William Plomer, based on a Christian parable told by Jesus to his disciples in the Gospel of Luke 15. Its story centers on two sons of a farmer: The older son is a hardworking laborer who tends to the family business; the younger has reckless ways – leaving with his inheritance and then squandering it in a far-off city. Destitute and defeated, the younger son returns home, begging his father to take him back.
Cairns says the familial reconciliation in the opera resonated for her but not in the typical way. “Often with this story we are meant to identify with the Younger Son or the Elder Son,” Cairns said. “I found myself wondering if we ought to identify with the Father. I am struck by the biblical line, ‘While he was still a long way off, his father saw him and was filled with compassion for him; he ran to his son, threw his arms around him and kissed him.’”
Cairns continued, “Last year, in Curlew River we explored the idea that even in your darkest, most desperate days, you will find people who will walk with you, or stand by you; there will be comfort. This year our story seems to tell us we must be the people who stand by those in need. Don’t wait for them to come to you; run out to greet them and throw your arms around them – that is the love we need to embody in this world.”
Production concept: As in Enigma’s mounting of “Curlew River” last fall, “The Prodigal Son” is framed as a spontaneous performance by members of a fraternal community. Cairns leaves the circumstances of the performers’ all-male gathering purposefully vague. (Is it a church group, a recovery meeting, or something else?) But she says the concept was inspired by the welcoming and forgiveness that people can find in a church or other supportive community.
Britten’s work has been central to Enigma’s nascent production history. Cairns directed the company’s debut production – a highly regarded production of Britten’s supernatural opera “The Turn of the Screw” – in January 2020. Her direction in November 2021 of “Curlew River” drew capacity audiences as well as critical raves for “uniformly superb” voices, “astonishingly precise” playing, a “powerful” and “transcendent” production and “the best opera production I saw last year.” Enigma will complete the Britten trilogy with a production of “Burning Fiery Furnace” in October 2023.
Cast and artistic team: “The Prodigal Son” features seven male singers portraying the gathered men who bookend the main story and characters in that story. Performers are Omar Najmi as the Tempter/Abbott, Aaron Engebreth as the Father, David McFerrin as the Elder Son, Matthew DiBattista as the Younger Son; Paul Soper, Tom Oesterling and Daniel Fridley are chorus members playing servants, beggars and other characters. The performance also features the voices of a small children’s choir.
The Stage Director is Cairns. Music Director Edward Elwyn Jones (also Music Director of Harvard Memorial Church) leads the eight-piece orchestra and plays organ. Lighting design is by Paul Marr. Rebecca Shannon Butler is the costume designer. Projection design is by Peter Torpey.
The orchestra includes the following: flute, Aimee Toner; trumpet, Ryan Noe; horn, Emma Staudacher; viola, Emily Rome; double bass, Daniel Gorn; harp, Angelina Savoia; and percussion, Mike Williams.
Tickets: General admission tickets for “The Prodigal Son” are $30; $20 for students and seniors. Tickets are available Fri., Oct. 1 via EnigmaChamberOpera.org or EventBrite.